Show menu

Download image file


This work is protected by copyright and cannot be re-used without permission from the copyright holder.
© Tiravanija, Rirkrit/BONO

Rirkrit Tiravanija

untitled 2012 (freedom can not be simulated)

Creation date:2012
Object type:Installasjon
Materials and techniques:kjøkkenbenk, kjøkkenredskaper, pølser, Thailands grunnlovsbøker og veggtekst
Material: Rustfritt stål, Plast, polytetylen, Papir , Organisk materiale, vann, Maling
Indexing term:Bildende kunst
Acquisition:Kjøpt 2014
Object no.:NMK.2014.0129
Catalog level:Komplekst objekt
Owner and collection:Nasjonalmuseet, The Fine Art Collections
Copyright:© Tiravanija, Rirkrit/BONO
Photo:Nasjonalmuseet / Larsen, Frode  Download
Part of exhibition:Take Liberty!, 2014
Metadata:DigitaltMuseum API

The first drawing Tiravanija exhibited was a portrait of himself as a child, posing with his mother and sister for a photographer in his native city of Buenos Aires. A few years later his father let a street artist in Hanoi draw a copy of the picture, which Tiravanija received as a present. The reproduction was shown in connection with a group exhibition that focused on drawings of sculptors.

Tiravanija, who studied art in Canada and the USA, is not a sculptor in a conventional sense, however. His art is rather about creating space for interpersonal encounters in public galleries and museums, reflecting everyday situations. An example is the work Freedom Can Not Be Simulated (2012), where he teams up with members of the audience to create sausages, though notably with eighteen shredded copies of Thailand’s constitution mixed into the meat. His works thereby exemplify “relational aesthetics”, that is, art projects that are socially and ethically motivated. To the extent that he creates objects, they are anonymized and reduplicated many times over.

The title is illustrated not only by the imagery’s allusions to expressions of opinion, protest matches, and other processions, but also by the practical use of the drawing medium as a tool for illustration and description. It was the conceptual art of the 1960s and 1970s that introduced the idea that the medium expresses the idea of a piece. Similar to such art projects, Tiravanija’s art also includes elements that serve as institutional criticism.

Text: Nina Sundbäck-Arnäs Kaase
From "Highlights. Art from 1945 to the Present", Nasjonalmuseet 2016, ISBN 978-82-8154-116-0

Highlights. Art from 1945 to the Present